Anon. (2026)

Digging around in the waste bin of history. An archival absence.

Reverberations, Manifestations, Collisions.

Constructing a visual iconography. Collecting as a form of investigating.

A shift from an artist that makes something to someone who recognizes something.

While these images may not be perfect photographs, they attempt to serve as perfect questions.

All photographs are toned silver gelatin prints, printed by Ryan McIntosh from the original found vintage negative. All prints are flush-mounted w/ inked edges and clipped corners. Edition of 3.

 
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Prototypes (2025)